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Sony PlayStation NTSC-J (Non-Redump) You have 599 iso/roms Sony PlayStation NTSC-J Non-Redump. 10101 – Will the Starship (Japan) SLPS-01054 1-on-1 – Single Basketball (Japan) SLPS-01706 20 Seiki Striker Retsuden – The 20th Century’s Strikers (Japan) SLPS-02348 70’s Robot Anime – Geppy-X – The Super Boosted Armor (Japan) (Disc 1) SLPS-01995 70’s Robot Anime – Geppy-X – The Super Boosted Armor (Japan) (Disc 2) SLPS-01996 70’s Robot Anime – Geppy-X – The Super Boosted Armor (Japan) (Disc 3) SLPS-01997 70’s Robot Anime – Geppy-X – The Super Boosted Armor (Japan) (Disc 4) SLPS-01998 Action Puzzle – Prism Land (Japan) SLPS-02586 Advan Racing (Japan) SLPS-01689 Advanced V.G.
Educated at Boston's Berklee College of Music, with a major in Music Synthesis, Hiroshi started his career in New York's celebrated club circuit, at places like Twilo and Save The Robots. His work, including several critically acclaimed full length albums for labels such as the leading German imprint, Kompakt, has lead to a constant international touring schedule with performances at Sonar Music Festival and Popkomm. Hiroshi maintains a busy studio life aside from techno, producing theatre soundtracks, jingles and video game music, including the theme from 'Beat Mania' a Japanese arcade standard and Sony PlayStation release. HW: It is gear, it is a tool, a machine. It must have a strong concept. When I was producing this machine, I felt this product should not need to prove itself to everyone or satisfy every customer.
I wanted the TR-1 to be a very special tool, different from the others. Otherwise there is no meaning for the TR-1 to exist. The strongest point of the concept was that the product must have a good shape, and be beautiful or even sexy.
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But please don't misunderstand this meaning. The functionality must be perfect, this is the basic thing, after this, the design. HW: Yes, basically I designed the TR-1 for Traktor. When I was provided this product, Traktor was at version 3.
I designed the TR-1 top panel, placement of pots, knobs and buttons to match the same position as the Traktor software. Of course, not all is exactly alike, but when you see the top panel of the TR-1 you can very easily recognize what is the meaning of each part in relation to Traktor. The TR-1 is just a MIDI controller so you can use it for anything, any other software.
Every action on the TR-1 has a MIDI control number as a normal MIDI controller. HW: Yes, this is the most strong and different point from other popular DJ controllers. TR-1 and TR-1 MK2 users must accept to use the sync mode. I set up this product to make the best use of that.
Jog wheels always take up a big space on the panel but are not useful and not sexy. When people are tweaking small jog wheels it doesn't look good. I stuck to a strong concept for this product, so if you still want to use jog wheels, then you really should use a real turntable or CDJ. Those products have a 100% perfect design for using wheels. A DJ controller doesn't need to just be an emulator for those. In my opinion, it looks uncool if there is jog wheels on the panel for a DJ controller. And I took out the crossfader too. I made design a priority for this concept.
Please take it to. Windows xp se7en lite 2009 build 2017.
If you really want to use a crossfader, then you can use a real DJ mixer with the controller. TR-1 does not need to be just a standalone controller, sometimes it needs other tools, but sometimes not. HW: Vestax has released the TR-1 MK2 but it's available in Japan exclusively at the moment. The MK2 has two different fader modes.
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One is the original TR-1 mode, but the other is for the new four deck fader mode in Traktor. Sometimes you might need to tweak the pitch fader by hand, but most Traktor users are using sync mode. So you can assign the pitch sliders as volume for decks and control decks A,B,C and D with separate sliders. This fader was working as only a pitch fader before, but by switching, you can decide now for yourself how to use it, pitch or volume for extra decks. MK2 has an original back panel too, on the original TR-1 there is volume curve knob in the front side of body, this fader curve will be effective for C and D faders too! The MK1 couldn't do this. HW: My personal opinion is that it's totally the same situation happening as in the photography scene.
Digital and analog, people still want to chose both or one of them. For me, a DJ is a DJ and a live act is a live act. Both are not the same. I want to keep the very simple process that is DJing, with music someone already made. I don't want DJ gear and tools going too much in a futuristic or crazy direction toward actual music production. I like to keep it simple and go with the same concept as DJing was in the past, the basics.