Ebook The Little Prince Bahasa Indonesia Translate
Today I had the chance to finish something I was supposed to finish weeks ago. Alhamdulillah for this unwellness Allah casts me. It gives me some moment to rest my mind, my body and soul. Since last Friday, I fell sick. Caught cold, well-known as “masuk angin” condition in my country. The sickness that usually caused by physical exhaustion and extreme weather.
Both were happened to me, indeed. Two days in the row of extra duties at the office, heavy minds, plus extreme changes in our weather: sharp heat and heavy rains keep switching in turn by mere hours. And I kept travelled back home late night with taxi-motorcycle, since the car broke down a lot. And guess that my stamina was pretty low nowadays, so voila! I was forced to rest on weekend. I even had to cancel my promise to attend the wedding of Pak Kusnan’s daughter with the whole office-mates.
П˜¦ Anyways, there’s always a silver-lining beneath every dark clouds. So, in my resting time, I read the book Isky suggested me: Le Petite Prince.
A book wrote. It’s Isky’s favorite book. He read it since a kid. He keeps reading it, annually, both in English version and Russian version. Reading it, troubled me at first, since I bought the English version eBook (because I couldn’t find the bahasa Indonesia translation). So I had to read it slowly and carefully, because it’s Isky’s favorite, so it must be very special. And yes, it IS special.
Like Isky himself. It’s a sad, sad book. But I can’t find myself dislike it, at all. Although normally, I don’t like sad stories–they’re too depressing.
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No, the story is not a kind of dark-sad stories whatsoever. In contrary, the story is very deep. And it reminds me how I used to love philosophy.
But the more I grow, the more the years passed me by–complete with its mountains of problems mostly unsolved–slowly buried my fond of such stories. As The Little Prince said: grown-ups are odd, and altogether extraordinary. And like the thundery trains, grown-ups don’t know what they’re looking for or why are they always in rush.
Only children knows what they’re looking for. At this point, I envy children, and yet grateful that I was a child once, although it was not quite the most wonderful childhood any girl ever had. I grew too fast. I had to, regarding to the divorce of my parents and the fued between two families.
But, Alhamdulillah, it all passed and peace has returned to my family although it takes years to consume and, alas, I was born as first-child–meaning that I experienced its hell a little longer than my other siblings. Oh, enough about me. Let’s get back to this book Isky loves. The book, in my opinion, revealed all the ridiculous things adults do. They–the grown-ups–are way too serious and must find only reasonable answer rather than being simply receptive like kids do. And when the grown-ups didn’t find any logical reason in particular situation, they’ll just abandon it.
This, is like a slap on the face. How can we, the grown-ups, claimed to be “the adults” while all we are doing is becoming ignorant and unwise as the years pass. And what we, grown-ups, lack in doing is to listen with the heart. I love the quotes the fox says in the book: It is only with the heart that one can see rightly; what is essential is invisible to the eye. I think, this quote is the whole idea of the story. It relates to the prince, his rose, his journey and everything he found in-between. And my favorite character here is the fox and the rose.
They kinda remind me of myself. The rose is my selfish side and the fox is my wise (and sad) side. I wish I could tell Isky that I love this book. He closes the door for me. For good this time, I think. I made it worse for both of us, even though it was started from another misunderstanding.
Before I “curhat” further, I shall stop here. And as the tamed rose-fox of his, I shall weep a little when he left. One runs the risk of weeping a little, if one lets himself be tamed Anyways, I gave the book 4.5 out of 5 stars. Worthy a reading.
The version found in The Book of Fables and Folk Stories by Horace E. Problems playing this file? ' Little Red Riding Hood' is a European about a young girl and a. Its origins can be traced back to the 10th century by several European, including one from called The False Grandmother (: La finta nonna), later written among others by in the collection; the best known versions were written by and the. The story has been changed considerably in various retellings and subjected to numerous modern adaptations and readings.
Other names for the story are: 'Little Red Ridinghood', 'Little Red Cap' or simply 'Red Riding Hood'. It is number 333 in the for folktales.
Little Red Riding Hood, illustrated in a 1927 story anthology The story revolves around a girl called Little Red Riding Hood. In and 's versions of the tale, she is named after her magical red / that she wears.
The girl walks through the woods to deliver food to her sickly grandmother (wine and cake depending on the translation). In the Grimms' version, her mother had ordered her to stay strictly on the path.
A Big Bad Wolf wants to eat the girl and the food in the basket. He secretly stalks her behind trees, bushes, shrubs, and patches of little and tall grass. He approaches Little Red Riding Hood, and she naively tells him where she is going. He suggests that the girl pick some flowers, which she does. In the meantime, he goes to the grandmother's house and gains entry by pretending to be the girl. He swallows the grandmother whole (in some stories, he locks her in the closet) and waits for the girl, disguised as the grandma.
's engraving of the scene: 'She was astonished to see how her grandmother looked' When the girl arrives, she notices that her grandmother looks very strange. Little Red then says, 'What a deep voice you have!' ('The better to greet you with', responds the wolf), 'Goodness, what big eyes you have!' ('The better to see you with', responds the wolf), 'And what big hands you have!' ('The better to hug/grab you with', responds the wolf), and lastly, 'What a big mouth you have' ('The better to eat you with!'
, responds the wolf), at which point the wolf jumps out of bed and eats her up too. Then he falls asleep. In Charles Perrault's version of the story (the first version to be published), the tale ends here. However, in later versions the story continues generally as follows: A in the French version, but a in the Brothers Grimm and traditional German versions, comes to the rescue and with his axe cuts open the sleeping wolf. Little Red Riding Hood and her grandmother emerge unharmed. They then fill the wolf's body with heavy stones.
The wolf awakens and tries to flee, but the stones cause him to collapse and die. Sanitized versions of the story have the grandmother locked in the closet instead of eaten and some have Little Red Riding Hood saved by the lumberjack as the wolf advances on her rather than after she is eaten where the woodcutter kills the wolf with his ax. 'Little Red Riding Hood' illustration. The tale makes the clearest contrast between the safe world of the village and the dangers of the, conventional that are essentially medieval, though no written versions are as old as that. It also warns about the dangers of not obeying one's mother (at least in the Grimms' version).
Relationship to other tales A very similar story also belongs to the North African tradition, namely in, where a number of versions are attested. The theme of the little girl who visits her (grand-)dad in his cabin and is recognized by the sound of her bracelets constitutes the refrain of a well-known song by the modern singer,: ‘I beseech you, open the door for me, father.
Jingle your bracelets, oh my daughter Ghriba. I’m afraid of the monster in the forest, father. I, too, am afraid, oh my daughter Ghriba.’ The theme of the ravening wolf and of the creature released unharmed from its is also reflected in the Russian tale and another Grimm talebut its general theme of restoration is at least as old as the biblical story,. The theme also appears in the story of the life of, wherein the saint emerges unharmed from the belly of aand in the epic 'The Red Path'. The story displays many similarities to stories from classical Greece and Rome.
Scholar Graham Anderson has compared the story to a local legend recounted by in which, each year, a virgin girl was offered to a malevolent spirit dressed in the skin of a wolf, who raped the girl. Then, one year, the boxer Euthymos came along, slew the spirit, and married the girl who had been offered up as a sacrifice. There are also a number of different stories recounted by Greek authors involving a woman named Pyrrha (literally 'Fire') and a man with some name meaning 'wolf'.
The Roman poet alludes to a tale in which a male child is rescued alive from the belly of, a female in classical mythology. The dialogue between the Big Bad Wolf and Little Red Riding Hood has its analogies to the Norse from the; the giant had stolen, 's hammer, and demanded as his bride for its return. Instead, the gods dressed Thor as a bride and sent him. When the giants note Thor's unladylike eyes, eating, and drinking, explains them as Freyja's not having slept, or eaten, or drunk, out of longing for the wedding.
Tale's history. French images, like this 19th-century painting, show the much shorter red being worn The story had as its subject an 'attractive, well-bred young lady', a village girl of the country being deceived into giving a wolf she encountered the information he needed to find her grandmother's house successfully and eat the old woman while at the same time avoiding being noticed by woodcutters working in the nearby forest. Then he proceeded to lay a trap for the Red Riding Hood. Little Red Riding Hood ends up being asked to climb into the bed before being eaten by the wolf, where the story ends. The wolf emerges the victor of the encounter and there is no happy ending.
Charles Perrault explained the 'moral' at the end of the tale: so that no doubt is left to his intended meaning: From this story one learns that children, especially young lasses, pretty, courteous and well-bred, do very wrong to listen to strangers, And it is not an unheard thing if the Wolf is thereby provided with his dinner. I say Wolf, for all wolves are not of the same sort; there is with an amenable disposition – neither noisy, nor hateful, nor angry, but tame, obliging and gentle, following the young maids in the streets, even into their homes. Who does not know that these gentle wolves are of all such creatures the most dangerous! This, the presumed original, version of the tale was written for late seventeenth-century French court of. This audience, whom the King entertained with extravagant parties, presumably would take from the story the intended meaning.
Grimm Brothers. An engraving from the Cyclopedia of Wit and Humor. Numerous authors have rewritten or adapted this tale. Included a variant called 'The True History of Little Goldenhood' in (1890). He derived it from the works of Charles Marelles, in Contes of Charles Marelles. This version explicitly states that the story had been mistold earlier.
The girl is saved, but not by the huntsman; when the wolf tries to eat her, its mouth is burned by the golden hood she wears, which is enchanted. Wrote a variation of Little Red Riding Hood in 1827 as an approximately 1000-word story. It was later reprinted in 1858 in a book of collected stories edited by William E Burton, called the Cyclopedia of Wit and Humor. The reprint also features a wood engraving of a clothed wolf on bended knee holding Little Red Riding Hood's hand. In the 20th century, the popularity of the tale appeared to snowball, with many new versions being written and produced, especially in the wake of Freudian analysis, and. (See.) This trend has also led to a number of academic texts being written that focus on Little Red Riding Hood, including works by and. Interpretations.
A depiction by, 1883. Besides the overt warning about talking to strangers, there are many interpretations of the classic fairy tale, many of them sexual.
Some are listed below. Natural cycles and, such as and, saw 'Little Red Riding Hood' in terms of solar myths and other naturally occurring cycles. Her red hood could represent the bright sun which is ultimately swallowed by the terrible night (the wolf), and the variations in which she is cut out of the wolf's belly represent the dawn.
In this interpretation, there is a connection between the wolf of this tale and, the wolf in Norse mythology that will swallow at,. Alternatively, the tale could be about the season of spring or the month of May, escaping the winter.
Red Riding Hood by Rite The tale has been interpreted as a rite, stemming from a prehistoric origin (sometimes an origin stemming from a previous matriarchal era). The girl, leaving home, enters a state and by going through the acts of the tale, is transformed into an adult woman by the act of coming out of the wolf's belly.
Rebirth , in: The Meaning and Importance of Fairy Tales (1976), recast the Little Red Riding Hood motif in terms of classic analysis, that shows how fairy tales educate, support, and liberate children's emotions. The motif of the huntsman cutting open the wolf he interpreted as a 'rebirth'; the girl who foolishly listened to the wolf has been reborn as a new person. Norse myth The poem ' from the mirrors some elements of Red Riding Hood. 's explanations for the strange behavior of ' (actually disguised as Freyja) mirror the wolf's explanations for his strange appearance.
The red hood has often been given great importance in many interpretations, with a significance from the dawn to blood. Modern uses and adaptations. Main article: Erotic, romantic, or rape connotations A sexual analysis of the tale may also include negative connotations in terms of rape or abduction. In Against Our Will, describes the fairy tale as a description of rape. However, many revisionist retellings choose to focus on empowerment, and depict Little Red Riding Hood or the grandmother successfully defending herself against the wolf. Such tellings bear some similarity to the 'animal bridegroom' tales, such as or, but where the heroines of those tales transform the hero into a prince, these tellings of Little Red Riding Hood reveal to the heroine that she has a wild nature like the hero's. These interpretations refuse to characterize Little Red Riding Hood as a victim; these are tales of female empowerment.
Animations, films, and TV shows. In 's short, (1943), the story is recast in an adult-oriented urban setting, with the suave, sharp-dressed Wolf howling after the Red.
Avery used the same cast and themes in a subsequent series of cartoons. 's film version of (1984) is about the journey of a young girl into womanhood, which can be interpreted as her menstruating for the first time (at the start of the tale, she is in bed with a stomachache, according to her sister), but also of sexual awakening (in it, she wears red lipstick in bed).
The wolf in this version of the tale is in fact a werewolf, which comes to the newly menstruating Red Riding Hood in the forest, in the form of a charming hunter. He turns into a wolf and eats her grandmother, and is about to devour Red Riding Hood as well, but she is equally seductive and ends up lying with the wolf man. Lipstick. Allusions to the tale can be more or less overtly sexual, as when the color of a lipstick is advertised as 'Riding Hood Red'. Literature. Charles Perrault's 'Le Petit Chaperon rouge' ('Little Red Riding Hood') is centered on an erotic metaphor. Little Red Riding Hood appears in 's short story 'The Company of Wolves', published in (1979), her collection of 'dark, feminist fables' filled with 'bestial and ferocious' heroines.
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In her revision of the classic, Carter examines female lust, which according to author Catherine Orenstein is 'healthy, but also challenging and sometimes disturbing, unbridled and feral lust that delivers up contradictions.' As Orenstein points out, Carter does this by unravelling the original tale's 'underlying sexual currents' and by impregnating the new Little Red Riding Hood (Rosaleen played by ) with 'animal instincts' that lead to her transformation. In Michelle Augello-Page's story 'Wolf Moon', Little Red is an adult who has been irrevocably changed by the events in her childhood, and it is the hunter who saves her 'once upon a time, and again' in this tale of sexual awakening, relationships, female rites and rebirth. In the manga the protagonist is an 11-year-old girl nicknamed 'Red Riding Hood' or 'Red Hood'. Akazukin means red hood in Japanese.
Music. A.P. Randolph's 'How Could Red Riding Hood (Have Been So Very Good)?' (1925) was the first song known to be banned from radio because of its sexual suggestiveness. 's hit song, ' (1966), takes the Wolf's point of view, implying that he wants love rather than blood. 's ' (1994) is inspired by the tale, warning the children that there's a Wolf out there. During the instrumental bridge in live shows, the song's lead singer, does both the Little Red Riding Hood's and the Wolf's part, where the child asks her grandmother about the big eyes, ears and mouth.
Other adaptations Animations and films. (1937) is a classic Soviet, black-and-white, animated film by the sisters Brumberg, 'grandmothers of the Russian animation'. Its plot differs slightly from the original fairy tale. It was issued on videotapes in various collections in the 1980s, via the SECAM system, and in the 1990s, via the PAL system, in collections of animated films of a videostudio 'Soyuz' (since 1994). The Big Bad Wolf is an animated short released on 13 April 1934 by United Artists, produced by Walt Disney and directed by Burt Gillett as part of the Silly Symphony series. Acting as an adaptation of the fairy-tale Little Red Riding Hood, with the Big Bad Wolf from 1933's Three Little Pigs acting as the adversary to Little Red Riding Hood and her grandmother. In the USSR-based animated film Petya and Little Red Riding Hood (1958), directed by Boris Stepantsev and Evgeny Raykovsky, the main character (a boy named Petya Ivanov) see the Grey Wolf deceived a trusting girl and risks his life to rescue her and her grandmother.
Now, the animated movie is considered a cult film, many phrases have become part of popular culture, and in 1959 and 1960, the film received awards at festivals in, Ukraine and. In Russia, it is repeatedly republished on DVD in collections of animated films. (2005) is a retelling of 'Little Red Riding Hood' as a police investigation. The film (2006) is a musical movie based upon this tale. The film (2011) is loosely based upon this tale.
The wolf appears in the franchise of films. He is wearing the grandmother's clothing as in the fairytale, though the films imply he merely prefers wearing the gown and is not dangerous. Red Riding Hood briefly appears in the film (2004), wherein she is frightened by Shrek and Fiona and runs off. Red Riding Hood is one of the main characters in the of the musical 'Into the Woods' (2014) portrayed by Lilla Crawford. Little Red Riding Hood is parodied in the cartoons (1944, ) and (1949, ), with, and (1955, Looney Tunes) with and Games. In the (2004) video game, she is playable and appears as a friend of Shrek's.
She joins him, Fiona, and Donkey on their journey to Far Far Away, despite not knowing Shrek or his friends in the film. In (2013) computer game, the original red riding hood was orphaned when a wolf killed her grandma. A hunter killed the wolf before it could kill her. He took her in as his own out of pity. The red riding hood of this story convinced the hunter to teach her how to fight. They protected the forest together until the hunter was killed during a wolf attack. The red riding hood continued on protecting the forest and took in other orphaned girls and taught them to fight too.
They take up wearing a red riding hood and cape to honor their teacher. Even after the death of the original red riding hood the girls continue doing what she did in life.
In the (1997), the character is a parody of Little Red Riding Hood, complete with childish look, red hood and picnic basket. But instead of food, her basket is full of guns and grenades. Her personality is somewhat psychotic, guerrilla-crazy. During the fights, a small dog named Harry watches the action from the sidelines and reacts to her taking damage in battle. Two rifle-wielding huntsmen named John and Arthur briefly appear alongside her in a special power-up move titled 'Beautiful Hunting' that inflicts extra damage on opponents. Literature. adapted the story for a children's picture book of the (2007).
wrote an adaptation as a poem called 'Red Riding Hood' in her collection Transformations (1971), a book in which she re-envisions 16 of the Grimm's Fairy tales. wrote an adaptation in his book ', a book in which thirteen fairy tales were rewritten. Garner's adaptation of 'Little Red Riding Hood' brings up topics like feminism and gender norms. wrote the children's series, which included characters from the fairytale into the storyline.
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Music. 'Little Red Riding Hood' is a raw hardstyle song by.
's concept photo for 's third studio album was inspired by 'Little Red Riding Hood'. Musicals.
Little Red Riding Hood is one of the central characters in the (1987) by and. In the song, 'I Know Things Now', she speaks of how the wolf made her feel 'excited, well, excited and scared', in a reference to the sexual undertones of their relationship. Red Riding Hood's cape is also one of the musical's four quest items that are emblematic of fairy tales. Television. In the pilot episode 'Wolf Moon' of the hit series the protagonist Scott McCall wears a red hoody, when he gets attacked by an alpha werewolf in the woods in the night of a fullmoon.
The pilot episode of 's TV series reveals that the Red Riding Hood stories were inspired by fabled blutbaden attacks, werewolf-like beings who have a deeply ingrained bloodlust and a weakness for victims wearing red. Red Riding Hood is a character in ABC's (2011) TV series. In this version of the tale, Red (portrayed by ) is a werewolf, and her cape is the only thing that can prevent her from turning during a full moon. Her Storybrooke persona is Ruby. See also.